Work With Me
I keep a demanding full-time career that has me traveling much of the year, so the projects I take on are selective — and the calendar fills weeks ahead. If you have a date, reach out early.
My approach with people is candid. I'd rather capture what's actually happening than stage what's supposed to. If that's the kind of imagery you're after, here's how we can work together.
Live Editorial Coverage
Most brands have to choose between fast photographs and good ones. I deliver both: color-managed, post-ready JPEGs sent from the venue to your social team while the event is still happening — and a full editorial archive delivered the same week, for the images that have to age well.
Event-Day Coverage
Selected, post-ready images to your social team in near real-time — during the event, not after it.
Editorial Archive
Everything from the live take, color-managed and corrected — a full gallery of 50+ megapixel images within a few days.
Other ways we can work
- Engagement sessions & portraits — candid and posed, true to the two of you.
- Business headshots — clean, professional, quick to deliver.
- Live music & nightlife — the room the way it actually felt.
- Candid event coverage — parties, gatherings, a night on the town.
- Photojournalism assignments — the kind of work you see across this site.
Film
I shoot real film, and I love it — engagement sessions especially. Two things to know: film goes out for development and comes back to me in one to two weeks before I scan and deliver, so it isn't same-week work. And I'll shoot weddings on film, but only as a second shooter — a lead photographer runs the day while I augment with vintage gear and the grain only film gives you.
What I don't shoot
So we're on the same page: I don't lead weddings, and I don't do boudoir, posed family or beach sessions, or anything that means arranging large groups. Candid is my lane — I'm drawn to what's there, not to building what should be.
Recognition
Winner of the 2024 Capital Wheel Photo Contest in National Harbor, Maryland. My image ran in the 2025 “Pretty in Pink” campaign and turned up on electronic billboards around the capital — humbling to see your own work that big.
See it on Facebook →